Priscilla Layne

Priscilla Layne is Associate Professor of German and Adjunct Associate Professor of African Diaspora Studies at the University of North Carolina at Chapel Hill. For the latest information, please visit: https://gsll.unc.edu/layne/

Network-related publications include:

Out of this World: Afro-German Afrofuturism. Evanston, IL: Northwestern University Press, 2025.

Fassbinder’s The Marriage of Maria Braun. New York: Camden House, 2024.

With Lisabeth Hock and Michelle James (eds.). Afrika and Alemania: German-Speaking Women, Africa, and the African Diaspora. Toronto: University of Toronto Press, 2025.

With Lily Tonger-Erk (eds.). Staging Blackness. Ann Arbor, MI: University of Michigan Press, 2024.

With Ela Gezen and Jonathan Skolnik (eds.). Minority Discourses in Germany Since 1990. New York: Berghahn, 2022.

“Utopias of Restorative Justice: Speculative Fiction, Gender and Violence in Sharon Dodua Otoo’s Adas Raum(2021; Ada’s Realm, 2023),” in Violence Elsewhere 2: Imagining Distant Violence in Germany since 2001, edited by Clare Bielby and Mererid Puw Davies, 209–31. Rochester, NY: Camden House, 2024.

“Drawing on Pain: Depicting Disability and Trauma in Mikael Ross’ Graphic Novel Der Umfall,” in The Health Humanities in German studies, edited by Stephanie M. Hilger, 111-124 London: Bloomsbury Academic, 2024.

“New Black German Subjectivity in the Twenty-First Century,” in Rewriting Identities in Contemporary Germany: Radical Diversity and Literary Interventions, edited by Selma Rezgui, Laura Marie Sturtz and Tara Talwar Windsor, 83-108. New York: Camden House, 2024.

“Adapting Black Masculinity in Melvin van Peebles’ The Story of a 3-Day Pass,” in Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness, edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander, Jackson, MS: University of Mississippi Press, 2024, 205-224.

“‘Her mit dem schönen Leben’: Happiness and Access in Berlin Alexanderplatz (2020), in Transnational German Film at the End of Neoliberalism: Radical Aesthetics, Radical Politics, edited by Claudia Breger and Olivia Landry. Rochester, NY: Camden House, 2024, 32-49.

“Multilingualismus im Unterricht am Beispiel von Gedichten von Schwarzen Deutschen,” in IDT 2022: *mit.sprache.teil.haben Band 5: Sprachenpolitik und Teilhabe, edited by Thomas Fritz, Brigitte Sorger, Hannes Schweiger und Sandra Reitbrecht. 275-285.

“Identity and Diversity in Postunification Germany,” in The Oxford Handbook of German Politics, edited by Klaus Larres, Holger Moroff and Ruth Wittlinger. Oxford: Oxford University Press, 2022. 417-431.

 With Ela Gezen and Johnathan Skolnik, “Introduction,” in Minority Discourses in Germany Since 1990, edited by Ela Gezen, Priscilla Layne and Johnathan Skolnik. New York: Berghahn, 2022. 1-38.

 With Ervin Malakaj, “Resisting the Traps of Hegemony: Variating in Contemporary German Queer of Color Cinema,” in The Routledge Companion to European Cinema, edited by Gábor Gergely and Susan Hayward. New York: Routledge, 2022. 374 – 384.

“The Kids Are All Right: Futurity and Black German Childhood in SchwarzRund’s Biskaya (2017),” Seminar: A Journal of Germanic Studies, 60.2 (2024): 123-145.

With Jakob Norberg, “Herder and the Black Slave,” Monatshefte Volume 115, Number 4, Winter (2023): 553-572.

“Teaching German from a Decolonial Perspective: Critical Dystopia as Critique of Race, Gender, and Class in Unternehmer,” Der Unterrichtspraxis/Teaching German 10 (2023): 1-5.

 “A Feminist Rewriting of Kleist? Öziri’s and Nübling’s Die Verlobung in St. Domingo – Ein Widerspruch.Critical Stages/ Scènes critiques. June No. 27 (2023). https://www.critical-stages.org/27/a-feminist-rewriting-of-kleist-oziriand-nublings-die-verlobung-in-st-domingo-ein-widerspruch/

“From Postmigrant to Posthuman: The Performance of Simone Dede Ayivi.” TDR: Drama Review, Volume 67, Issue 2 (2023): 85–104.

With Corine Tachtiris. “Special Focus Introduction: Centering Black Cultural Production in Translation.” Studies in Twentieth and Twenty-First Century Literature. 47.1 (2023): 1-6.

With Kira Thurman. “Introduction: Black German Studies.” The German Quarterly 95.4 (2022): 359-371.

With Inci Dirim. “Dialog zur Bedeutung diskriminierungskritischer Zugänge.” Zeitschrift für Deutsch im Kontext von Mehrsprachigkeit. (2022): 228 – 235.

“‘That’s How It Is’: Quotidian Violence and Resistance in Olivia Wenzel’s 1000 Coils of Fear.” Novel: A Forum on Fiction 55:1 (2022): 38 – 60.